Jumat, 25 November 2011

Ver Peliculas Gratis Completas

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Petite, Rebecca a toujours eu peur du noir. Mais quand elle est partie de chez elle, elle pensait avoir surmonte ses terreurs enfantines.

About Lights Out

Artist : Teresa Palmer, Emily Alyn Lind, Alicia Vela-Bailey
As : Sophie, Diana
Title : Ver Peliculas Gratis Completas
Release date : 0000-00-00
Movie Code : 238670
Duration : 100
Category : Epouvante-horreur

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Name : Richard Roeper / Alias : Chicago Sun-Times
Even the most cynical, jaded, seen-it-all-before critic cannot deny certain visceral reactions to a film. Lights Out gave me the chills.

Name : Leah Pickett / Alias : Chicago Reader
A brisk, studio-glossy feature that's predictable and heavily reliant on jump scares but spooky good fun nonetheless.

Name : A.A. Dowd / Alias : AV Club
The film is blatantly, unmistakably about mental illness, and that makes it hard to ignore or forgive what it ends up saying (hopefully by accident) on the subject.

Name : Rex Reed / Alias : New York Observer
The fun wears out fast and so does the "gotcha" factor.

Name : Adam Graham / Alias : Detroit News
The scares are cheap, but they're frequently effective, the same way that if you're hungry junk food might fill you up. It doesn't mean you'll feel good about it later.

Name : Andrew Barker / Alias : Variety
Never strays too far from its source, essentially repeating the same jump scare, over and over again, for most of its muscular 80 minute running time. What's most shocking is how well it still works.

Name : April Wolfe / Alias : Village Voice
Lights Out needs to be seen in a darkened theater next to someone who won't judge you for jumping out of your seat.

Name : Mick LaSalle / Alias : San Francisco Chronicle
In the end, it's just a little horror movie, but the director knows that and doesn't overplay his hand.

Name : Alison Willmore / Alias : BuzzFeed News
At 81 minutes, unfolding in a handful of key locations, and opting for practical effects and clever framing over computer-generated imagery, Lights Out is still lean and concentrated, and it benefits from that spareness.

Name : Joe Morgenstern / Alias : Wall Street Journal
Awfully inept .

Name : David Edelstein / Alias : New York Magazine/Vulture
Bello is an excellent actress and makes Sophie's anguish credible, although she can't rise above the material.

Name : Peter Travers / Alias : Rolling Stone
Predictable stuff, energized by some spiffy scare effects and actors who perform well beyond the call of fright-house duty.

Name : Justin Chang / Alias : Los Angeles Times
The tale of a restless evil spirit who suffers from an extreme aversion to light, this nifty little chiller may be the first movie of its kind to unite the pleasure of a good haunting with the horror of an unpaid electricity bill.

Name : Robert Abele / Alias : TheWrap
Occasionally succumbs to certain rudimentary hallmarks of industrial studio horror, but for the most part it's agreeably suspenseful, date-night arm-squeezing genre fare.

Name : Jeannette Catsoulis / Alias : New York Times
Spackling over any copycat cracks with strong acting and fleet editing, "Lights Out" delivers minimalist frights in old-school ways.

Name : Michael Phillips / Alias : Chicago Tribune
Palmer and Bello really do seem like world-weary, spook-addled daughter and mother, and they play the stakes just so, favoring neither blase understatement nor yellow-highlighter melodrama.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Sandberg . spares us from the indignity of jump scares. When he sets out to frighten you, he means it.

Name : Christian Holub / Alias : Entertainment Weekly
Like the most enjoyable horror movies, Lights Out is almost a physical experience, carrying viewers from stress and terror to even some tension-breaking hilarity.

Name : Rafer Guzman / Alias : Newsday
A nifty fright flick with glimmers of depth. Short and effective.

Name : James Berardinelli / Alias : ReelViews
Unfortunately, the film stumbles, offering too few legitimate scares and displaying an overreliance on traditional horror movie cliches.

Name : Lou Lumenick / Alias : New York Post
Swedish filmmaker David F. Sandberg makes an impressive feature debut with this spooky, less-is-more expansion of his short that landed him this first Hollywood gig.

Name : Stephen Whitty / Alias : Newark Star-Ledger
A small, pitch-black treat, "Lights Out" takes a common childhood terror and uses it to spin a horror story with a new kind of ghost and some familiar, but still effective shocks.

Name : Moira MacDonald / Alias : Seattle Times
"Lights Out" is an effective, tidy little chiller; basically the same sneak-up-in-the-dark scare over and over. But hey, as we've learned through decades of horror movies, that stuff works.

Name : Joshua Rothkopf / Alias : Time Out
Once the film runs out of unusual lighting schemes to exploit (violet-hued goth black lighting, random blasts of car headlights, etc.), it loses power faster than a millennial with a long-overdue electric bill. But that one shadow lady is enough.

Name : Katie Walsh / Alias : Tribune News Service
Built on a clever premise, the film is executed seamlessly. It's the best expression of a low-budget horror flick: resourceful and smart, where the most charismatic character is the ghoul itself.

Name : Edward Douglas / Alias : New York Daily News
Unsettling enough to make you think twice about what might be in the room with you when the lights go out.

Name : Michael O'Sullivan / Alias : Washington Post
"Lights Out" deserves to be considered in the company of such recent horror standouts as "It Follows," "The Babadook," "Goodnight Mommy" and "The Witch."

Name : Brad Wheeler / Alias : Globe and Mail
There are a few inconsistencies with the scary bits, but the script is rich, and having Teresa Palmer as a badass adult daughter with commitment issues - typically a male role - is refreshing.

Name : Justin Lowe / Alias : Hollywood Reporter
A surprisingly maternal horror movie that relies as much on fraying emotional bonds as supernatural suspense to create tension.

Name : Bill Goodykoontz / Alias : Arizona Republic
In some ways the film is like an amusement park ride. You see the curves and twists coming, but if you're going fast enough, they're scary anyway.

Name : Jim Slotek / Alias : Toronto Sun
A terrifically effective little scarefest.

Name : Peter Sobczynski / Alias : RogerEbert.com
For the most part, though, the film is just a tired tread through the usual elements.

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Jumat, 04 November 2011

Kijken Naar The Nice Guys Online

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Shane Black (Iron Man 3) directs this police drama set in Los Angeles during the 1970s, and centering on a pair of detectives who stumble into a sprawling conspiracy while investigating the alleged suicide of a once-prominent female porn star. Russell Crowe and Ryan Gosling top-line this Warner Bros. release that reunites Lethal Weapon scribe Black with that film's producer, Joel Silver. ~ Jason Buchanan, Rovi

About The Nice Guys

Artist : Russell Crowe, Ryan Gosling, Keith David, Matt Bomer, Kim Basinger
As : Jackson Healy, Holland March, , ,
Title : Kijken Naar The Nice Guys Online
Release date : 2016-05-20
Movie Code : 3799694
Duration : 98
Category : Crime, Mystery, Thriller

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Comment For The Nice Guys Como Descargar Peliculas Gratis

Name : Alan Scherstuhl / Alias : Village Voice
The Nice Guys, ultimately, might be a little too nice, but Black and his cast really want you to have a ball.

Name : Alonso Duralde / Alias : TheWrap
Gosling and Crowe's breezy give-and-take goes a long way in elevating "The Nice Guys" above the moments where cynicism overwhelms the comedy.

Name : Amy Biancolli / Alias : Houston Chronicle
Through it all, Ferrell is as Ferrell does. He's a non sequitur with frizz.

Name : Wesley Morris / Alias : Grantland
I love Sanaa Lathan, except when she has to play dumb. And, boy, does The Perfect Guy need her to be dumb.

Name : Joe Morgenstern / Alias : Wall Street Journal
A summer movie that honors summer-movie conventions with a vengeance.

Name : Connie Ogle / Alias : Miami Herald
The Other Guys is the sort of movie that generates some of its best jokes quietly in the background or as quick-hit throwaway lines, while other terrific gags are defiantly over the top.

Name : Betsy Sharkey / Alias : Los Angeles Times
The plot doesn't always hold water and it has a tendency to ramble, but they don't seem to care. And honestly, neither should you.

Name : Peter Debruge / Alias : Variety
The laughs ultimately take a backseat to a convoluted white-collar crime story.

Name : David Fear / Alias : Time Out
Gives Wahlberg and Ferrell beautiful opportunities to turn their anger-mismanagement-meets-milquetoast act into an absurdist version of Abbott and Costello.

Name : Tom Long / Alias : Detroit News
In terms of flat-out nonstop laughter, it's the best comedy of the summer.

Name : Brian Truitt / Alias : USA Today
The movie is a throwback in many ways but also proves a dynamic duo can still be just as effective in modern cinema as a superhero ensemble cast. For The Nice Guys, it takes two to make it outta sight.

Name : Frank Scheck / Alias : Hollywood Reporter
You've seen it a thousand times before.

Name : Eddie Goldberger / Alias : New York Daily News
It's a lazy, by-the-numbers bore. It almost jumps through hoops to not be different in any way. In fact, you could sleep through the movie and still recite what happened.

Name : Andrew O'Hehir / Alias : Salon.com
This is a startling late-summer surprise that's hysterically funny when it's not falling on its face.

Name : Neil Genzlinger / Alias : New York Times
Next to child-in-jeopardy thrillers, women-in-jeopardy thrillers are about as easy to construct as films get, and this one makes no effort to break any molds. Too bad.

Name : Richard Roeper / Alias : Richard Roeper.com
Note to Kevin Smith: THIS is how you do a spoof of the buddy-cop genre.

Name : Peter Travers / Alias : Rolling Stone
Don't let anyone spoil the wildly hilarious surprises. Ferrell and Wahlberg will double your fun. Guaranteed.

Name : Tom Horgen / Alias : Minneapolis Star Tribune
Do we really need another buddy-cop comedy? While stupefying, the answer is, surprisingly, "yes."

Name : Stephen Whitty / Alias : Newark Star-Ledger
Measured against this year's other police farce - remember Cop Out? - it looks absolutely heroic.

Name : Jesse Hassenger / Alias : AV Club
Scene after scene exists only to deliver facts for later: Carter's family background; the location of Leah's spare housekey; the presence of a mildly nosy neighbor and a clumsily introduced pet cat.

Name : Owen Gleiberman / Alias : Variety
The sort of cheerfully hostile buddy bash that's been a staple since the '80s, only this one is singularly clever about its own triviality, and it offers the scruffy pleasure of seeing two great actors dial down their gravitas with style.

Name : Christy Lemire / Alias : Associated Press
You should really meet and get to know these guys for yourself.

Name : Lisa Kennedy / Alias : Denver Post
At times, there's an "everything but the kitchen sink" quality to the joke grab. But it works.

Elizabeth Weitzman Comment The Nice Guys

Name : Elizabeth Weitzman / Alias : New York Daily News
There are as many hits as there are misses, thanks to the dedication of both leads.

Name : Tom Huddleston / Alias : Time Out
There's a wealth of joyously berserk idiot humour, fusing slapstick and satire, surrealism and stream-of-consciousness improv into what could well prove the funniest movie of the year.

Name : James Rocchi / Alias : MSN Movies
Highbrow, lowbrow and no-brow, inspired by improvisation yet connected to the structure of a plot and the traditions of a genre, "The Other Guys" is that rare modern comedy as smart as it is crazy, and as skillful as it is silly.

Name : Richard Corliss / Alias : TIME Magazine
Like some silly summer song that can't be shaken from the mind, this is a catchy enterprise, no better than it tries to be and no less funny.

Michael Rechtshaffen Comment The Nice Guys

Name : Michael Rechtshaffen / Alias : Los Angeles Times
A glossy, cliche-laden revenge thriller about the perils of meeting Mr. Too Good To Be True.

Name : Christy Lemire / Alias : RogerEbert.com
Decent trash that could have been delicious trash with a little more daring.

Name : Owen Gleiberman / Alias : Entertainment Weekly
It's a comedy of manhood for the age of emasculation.

Name : Claudia Puig / Alias : USA Today
What would have been very funny for 15 minutes, and pretty funny for 45, doesn't maintain the standard over the course of a feature-length film.

Name : Josh Levin / Alias : Slate
There's just a bit too much formula and not quite enough insane-asylum lunacy.

Name : Peter Travers / Alias : Rolling Stone
Russell Crowe and Ryan Gosling are clearly enjoying the hell out of each other in this crime caper set in 1977 Los Angeles. So how can you resist?

Name : A.O. Scott / Alias : New York Times
The Other Guys is most authentically itself when it indulges in a free-form but nonetheless highly disciplined silliness that has the effect of dissolving, rather than piquing, whatever worldly anger or frustration you may be harboring.

Name : Wesley Morris / Alias : Boston Globe
What seems like another desperate adventure in stunt casting turns out to be a combustible comic bounty.

James Berardinelli Comment The Nice Guys

Name : James Berardinelli / Alias : ReelViews
For the most part, the jokes have punch lines, which is too rarely the case in big-budget comedies.

Name : Roger Moore / Alias : Orlando Sentinel
The Other Guys is a Ponzi scheme of a comedy, a buddy action picture cluttered with funny characters and hilarious moments.

Name : James Rocchi / Alias : TheWrap
"The Perfect Guy" - which was, it must be pointed out, deliberately not screened for critics prior to release - is a perfect example of how lame, lazy material strands good actors, resulting in a movie that looks great and feels less so.

Name : Kyle Smith / Alias : New York Post
Forgets it's a comedy and starts burrowing into a convoluted but uninteresting financial scandal involving an evil capitalist played by Steve Coogan.

Name : Peter Howell / Alias : Toronto Star
Dead horse, meet floggers.

Name : Todd McCarthy / Alias : Hollywood Reporter
That the film mostly falls flat has far more to do with the largely unconvincing material rather than with the co-stars, who are more than game .

Name : Joe Dziemianowicz / Alias : New York Daily News
It's overlong by about 15 minutes and goes in too many directions at once. But thanks to a groovy period vibe and the A-list stars, you're along for the ride.

Name : Chris Vognar / Alias : Dallas Morning News
They may not be Jack Lemmon and Billy Wilder , but Will Ferrell and Adam McKay have a pretty good thing going.

Name : Tomris Laffly / Alias : Time Out
The Nice Guys is the perfect, incredibly crafted yet laid-back procedural we've been starved for.

Name : Michael Phillips / Alias : Chicago Tribune
As with the war-film goof Tropic Thunder, you wonder if a smaller, scruffier-looking version of the same movie would have yielded bigger comic payoffs.

Name : Michael Rechtshaffen / Alias : Hollywood Reporter
Just when it seemed like the once-robust buddy-cop action-comedy was going to require a do-not-resuscitate order, along comes Will Ferrell and Adam McKay to show 'em how it's done.

Name : Amy Nicholson / Alias : Boxoffice Magazine
As good and fleeting as a street corner popsicle

Name : Chris Nashawaty / Alias : Entertainment Weekly
Basically, it's Inherent Vice without the highbrow aspirations, or The Big Lebowski with two Dudes.

Name : Amy Nicholson / Alias : MTV
Crowe and Gosling are a perfect mismatch. They skulk around Los Angeles like a bear and a weasel who just escaped from the circus.

Name : Randy Cordova / Alias : Arizona Republic
It's sneaky and smartly funny, offering an almost perfect balance of action and comedy.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Nobody goes to these Fatal Attraction retreads anymore for serious drama. But this one is a movie torn - too grim and self-important to go truly nuts, but too silly and slipshod to work on a more somber level.

Name : Kyle Anderson / Alias : Entertainment Weekly
The Perfect Guy escalates quite nicely, leading to a satisfyingly white-knuckled finale.

Name : Liam Lacey / Alias : Globe and Mail
Deteriorates into something resembling Rush Hour 3.

Name : Steven Rea / Alias : Philadelphia Inquirer
The Other Guys boasts perhaps three legitimately funny sequences in all its belabored 107 minutes.

Name : Scott Tobias / Alias : AV Club
Gloms together enough clever riffs and random funny business to overcome the inevitable lumpiness and dead ends.

Name : Nick Schager / Alias : Variety
David M. Rosenthal's Internet-age thriller falls head over heels for cheesy cliches.

Name : Ben Sachs / Alias : Chicago Reader
A reasonably engaging thriller with some topical overtones.

Name : Nick Pinkerton / Alias : Village Voice
Somebody didn't pack enough comedy for this long trip - the punchlines in the movie's second half are often callbacks to jokes you may not fondly remember from the first, until every gag is united with its mate.

Name : Joshua Katzman / Alias : Chicago Reader
This is the fourth feature that Will Ferrell and writer-director Adam McKay have collaborated on, and once again they deliver laugh-out-loud if ultimately disposable comedy with mixed messages about arrested male development.

Michael O'Sullivan Comment The Nice Guys

Name : Michael O'Sullivan / Alias : Washington Post
The Other Guys takes stuff that, as a rule, isn't particularly funny, and tries to make you laugh. More often than not, it succeeds.

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